that’s gross don’t do that
Marriage equality is cool and all, but uh…
Trickle down equality, yo!
what the fuck
Ken Ashcorp - “Burgz”
Two songs just a few weeks apart? You’re so good to us, kenashcorp. One of the things I love about this eclectic individual is how he’ll make a ridicously catchy song about the most random things. This time around, he’s singing about local burger joints and making awfully hilarious puns and references to large chain burger places.
It’s great, he’s great, and you should spread the word about him. EEK
On the subject of “male power fantasies”:
The body type of “strong men” often portrayed in media aren’t built for power at all, but for looks, and in that sense can be argued to be just as objectifying as the overabundance of thin women portrayed in the media.
Let’s all help college students get knowledge they deserve for free:)
To be honest when people acknowledge my existence here, it makes me feel all warm and fuzzy inside.
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?
This guy. Take a good look - that is the moustache of a man with nothing to lose.
More like Julius Fuckit
this post just kept getting better and better
This is my favorite post and always will be.
know what scopophobia is?
- a pathological fear of being seen/watched/drawing attention to yourself in any way, and the judgement/ridicule you feel is attached to it
know what scopophobia ISN’T?
- a fear of eyes.
know what you should be tagging with…